In Barcelona, Antonio Gaudi conceived architecture as a form of sculpture; the facade of the Casa Battlo in Barcelona — had no straight lines; it was encrusted with colorful mosaics of stone and ceramic tiles  Architects also began to experiment with new materials and techniques, which gave them greater freedom to create new forms.
Materializing the Postdigital Solo exhibition, overview of all collections, Boras, Sweden in collaboration with Groninger Museum. Palace House of Orange. Berlin, Germany Iris van Herpen. Opening October 13, Antwerp, Belgium Self Structure.
Iris van Herpen and her inspiration. Berlin, Germany Mode Biennale Arnhem. Arnhem, The Netherlands Material World.
Art, design and fashion. Eindhoven, the Netherlands Best of Dutch Design. Gemeentemuseum, The Hague, the Netherlands Harrods launches.
In-store exhibition and sales, London, UK Shape.
Eindhoven, The Netherlands Design Overtime. Paris, France V!
In this collection the designer explores the new worlds that arise within synthetic biology and the intertwining relationships between the organic and the inorganic. For Syntopia, Van Herpen collaborates with the artists Lonneke Gordijn and Ralph Nauta of Studio Drift, whose biomimic art works translate natural processes by breathing life into delicate immersive sculptures through movement.
The vivacious glass bird flows in symbiosis with the models while they move over the runway, their delicate interaction emphasizes the fragility of new worlds living and soaring together.
For this collection I looked closely at the minutiae of bird flight and the intricate echoing forms within avian motion. The artists Studio Drift and the scientist Etienne Jules Marey inspired me to look more closely at the draping of a garment through chronophotography.
The collection begins with one of the oldest artisanal techniques - weaving. Inspiration was found from surveying the intricate aerial photography by Thierry Bornier, and Andy Yeung, among others.
Looking from this perspective, I felt inspired by the patterns of chaos and order, nature and civilization blending into infinite hybrids. For this show, Gentenaar created a site-specific floating installation that blossoms around the garments as the models move.
The collection blends a natural color palette of blurred and faded greens, yellows, blues and purples with skin colors and blacks. Van Herpen also drew inspiration from the Danish underwater artists Between Music who challenge the relationship between the body and its elemental surround, in a subaquatic environment where air is absent.The following is an alphabetically ordered list of major art and design movements that took place during the 20th century.
A “movement” is a style or prevailing inclination in art or design that upholds a specific philosophy or ideal and is followed and promoted by a group of artists for a defined period of time. Architecture and Interior Design for 20th Century America, , documents building styles and trends, particularly in the Eastern United States.
The majority . Every era has its giants, but when the world moved out of the Victorian age, architecture reached new heights. From soaring skyscrapers to dramatic innovations in engineering and design, 20th century modern architecture transformed the way we think about building.
Technology of photography, equipment, techniques, and processes used in the production of alphabetnyc.com most widely used photographic process is the black-and-white negative–positive system (Figure 1). In the camera the lens projects an image of the scene being photographed onto a.
Louis Sullivan, an architect who was highly influential in the development of the Chicago School, and who had a profound effect on Modernist architects, coined the phrase “form ever follows function” in His idea was that the design of a building should be based on .
Art of Scandinavia: Design in the 20th century Author Rosie Mitchell Faculty of Arts, University of Cumbria, UK Introduction One of the most significant contributions of the Scandinavian countries to the European fine arts.